Inspiration
I work in semiconductors — the very technology that powers AI — and in business intelligence, which forces me to stay constantly informed about global events. Over the past few years, I’ve been feeling a growing fear about the geopolitical climate. The more I learn, the harder it becomes to believe that peace and stability are within reach. OM MANI was born from this anxiety — a way to transform my worries into a creative warning, using AI itself to raise awareness about how fragile our world really is.
What it does
The film lets the audience step into the mind of a Buddhist monk who has survived a nuclear war. He begins by meditating on peaceful memories — the beauty of Earth before its fall — before his thoughts spiral back toward the conflicts that led to World War III. Ultimately, he faces those memories, accepts what happened, and turns his attention to what remains: the surviving fragments of humanity, the slow return of life, and the realization of our deep loneliness in the vast universe.
How I built it
The film was created using Kling AI, starting from image-to-video generations. To maintain character consistency, I extracted screenshots of the main character from different angles and reused them across the scenes. The full edit, sound design, and narrative pacing were refined manually to achieve a cinematic flow.
Accomplishments
I’m proud that OM MANI manages to stand as a complete cinematic experience on its own — no sequel, no prequel — just a five-minute dive into one person’s inner world. I’m also proud of the tension that builds up naturally toward the depiction of WW3, and how the emotional arc stays coherent despite being AI-generated.
What’s next for OM MANI
My goal is for OM MANI to stand as proof that AI films can go beyond entertainment. They can become new mediums for reflection — to explore social, political, and existential questions, and hopefully to inspire people to see our world, and our future, with more awareness and compassion.
Built With
- chatgpt
- klingai
- wondershare


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